Pick of the Week for WET and This Week’s Topic

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It’s Illustration Friday!

Please enjoy the wonderful illustration above by Rachel Quinlan, our Pick of the Week for last week’s topic of WET. Thanks to everyone who participated with drawings, paintings, sculptures, and more. We love seeing it all!

You can see a gallery of ALL the entries here.

And of course, you can now participate in this week’s topic:

UNICORN

Here’s how:

Step 1: Illustrate your interpretation of the current week’s topic (always viewable on the homepage).

Step 2: Post your image onto your blog / flickr / facebook, etc.

Step 3: Come back to Illustration Friday and submit your illustration (see big “Submit your illustration” button on the homepage).

Step 4: Your illustration will then be added to the public Gallery where it will be viewable along with everyone else’s from the IF community!

Also be sure to follow us on Facebook and Twitter and subscribe to our weekly email newsletter to keep up with our exciting community updates!

HAPPY ILLUSTRATING!

Posted by Thomas James on 12/11/15 under artists,call for entries,weekly topics
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Pick of the Week for PUNCH and This Week’s Topic

 

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Happy Illustration Friday!

Please enjoy the wonderful illustration above by Jean Tuttle, our Pick of the Week for last week’s topic of PUNCH. Thanks to everyone who participated with drawings, paintings, sculptures, and more. We love seeing it all!

You can see a gallery of ALL the entries here.

And of course, you can now participate in this week’s topic:

WET

Here’s how:

Step 1: Illustrate your interpretation of the current week’s topic (always viewable on the homepage).

Step 2: Post your image onto your blog / flickr / facebook, etc.

Step 3: Come back to Illustration Friday and submit your illustration (see big “Submit your illustration” button on the homepage).

Step 4: Your illustration will then be added to the public Gallery where it will be viewable along with everyone else’s from the IF community!

Also be sure to follow us on Facebook and Twitter and subscribe to our weekly email newsletter to keep up with our exciting community updates!

HAPPY ILLUSTRATING!

Posted by Thomas James on 12/07/15 under artists,weekly topics
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Pick of the Week for CITY and This Week’s Topic

 

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Happy Illustration Friday!

Please enjoy the wonderful illustration above by Anna Gavrilyuk, our Pick of the Week for last week’s topic of CITY. Thanks to everyone who participated with drawings, paintings, sculptures, and more. We love seeing it all!

You can see a gallery of ALL the entries here.

And of course, you can now participate in this week’s topic:

PUNCH

Here’s how:

Step 1: Illustrate your interpretation of the current week’s topic (always viewable on the homepage).

Step 2: Post your image onto your blog / flickr / facebook, etc.

Step 3: Come back to Illustration Friday and submit your illustration (see big “Submit your illustration” button on the homepage).

Step 4: Your illustration will then be added to the public Gallery where it will be viewable along with everyone else’s from the IF community!

Also be sure to follow us on Facebook and Twitter and subscribe to our weekly email newsletter to keep up with our exciting community updates!

HAPPY ILLUSTRATING!

Posted by Thomas James on 11/30/15 under artists,weekly topics
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Pick of the Week for ANIMAL and This Week’s Topic

 

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Happy Illustration Friday!

Please enjoy the wonderful illustration above by Tamara Domuzin, our Pick of the Week for last week’s topic of ANIMAL. Thanks to everyone who participated with drawings, paintings, sculptures, and more. We love seeing it all!

You can see a gallery of ALL the entries here.

And of course, you can now participate in this week’s topic:

CITY

Here’s how:

Step 1: Illustrate your interpretation of the current week’s topic (always viewable on the homepage).

Step 2: Post your image onto your blog / flickr / facebook, etc.

Step 3: Come back to Illustration Friday and submit your illustration (see big “Submit your illustration” button on the homepage).

Step 4: Your illustration will then be added to the public Gallery where it will be viewable along with everyone else’s from the IF community!

Also be sure to follow us on Facebook and Twitter and subscribe to our weekly email newsletter to keep up with our exciting community updates!

HAPPY ILLUSTRATING!

Posted by Thomas James on 11/20/15 under artists,call for entries,children's art,weekly topics
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Should You Use Watermarks to Protect Your Art?

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Do watermarks protect you from online art theft or devalue your work?

Let’s face it. Art theft is a reality. We see it happen all the time.

If you post your work anywhere online, you’re immediately vulnerable to those who want to grab it and use it for their latest article, T-shirt, company logo, etc. It’s simply a risk you take by having an online presence.

Watering Down

Some Illustrators choose to protect themselves by placing “watermarks” over there image. This means that they overlay a copyright notice of some form on top of their Illustration to discourage others from using it without their permission.

The question is: Does this cause more harm than good?

As an Illustrator myself, I definitely understand the desire to protect one’s work. After all, the images you create are the lifeblood of your business, so why wouldn’t you want to defend yourself from online predators?

However, it is possible to go too far.

In my opinion, the use of a watermark degrades the experience an Art Director or other potential client has when viewing your work, which is the last thing you want to do. Sure, it can be done in a more discreet way than the ridiculously extreme example above, but the value of an Illustration all comes down to its visual impact, so why would you want to do anything to diminish that?

Even with the dangers of online art theft, I strongly believe that watermarks do more harm to the artist than to the thieves themselves. Furthermore, any persistent pilferer with a basic knowledge of Photoshop can easily remove the watermark without too much trouble, so the benefit to the Illustrator is limited at best.

Finally, it’s important to consider the impression that this makes on your potential clients.

If you protect your images with watermarks, you may unintentionally convey paranoia, defensiveness, or unease, which just might make people uncomfortable, and deter them from contacting you to begin with. It’s not unlike the response you might get if you present them with a 10-page contract full of fine print and overstated legal jargon.

It’s simply not necessary.

Overkill?

Don’t get me wrong. Tracking down and stopping art theft is an incredibly frustrating activity, and it hurts to see your work being used without your permission, but I recommend thinking twice before using watermarks as a form of defense.

I don’t know about you, but when I enter a brick-and-mortar business and see security cameras at every turn, warning signs to “leave your bag at the desk”, and electronic sensors at the exits, I feel a little uneasy, even though I don’t plan on stealing anything.

Why would you want to do the same with your own business?

Do you use watermarks? Why? How do you feel when you see watermarks on an image?

Posted by Thomas James on 11/16/15 under business
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Pick of the Week for WHIMSICAL and This Week’s Topic

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Happy Illustration Friday!

Please enjoy the wonderful illustration above by Carolina Laverde, our Pick of the Week for last week’s topic of WHIMSICAL. Thanks to everyone who participated with drawings, paintings, sculptures, and more. We love seeing it all!

You can see a gallery of ALL the entries here.

And of course, you can now participate in this week’s topic:

ANIMAL

Here’s how:

Step 1: Illustrate your interpretation of the current week’s topic (always viewable on the homepage).

Step 2: Post your image onto your blog / flickr / facebook, etc.

Step 3: Come back to Illustration Friday and submit your illustration (see big “Submit your illustration” button on the homepage).

Step 4: Your illustration will then be added to the public Gallery where it will be viewable along with everyone else’s from the IF community!

Also be sure to follow us on Facebook and Twitter and subscribe to our weekly email newsletter to keep up with our exciting community updates!

HAPPY ILLUSTRATING!

Posted by Thomas James on 11/13/15 under artists,call for entries,weekly topics
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Why finding an agent can be a chicken and egg situation

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Illustration by Mike Reddy

“The reason why I’m not getting work is because I don’t have an agent.”

I looked at her for a moment, and was deciding if I should tell her that if she’s not having any luck finding one, is because she should be focusing on doing something else instead. Like finding clients instead of finding an agent. I didn’t have that chance, because she continued to rattle off a long list of agencies that she’s contacted – all without luck, and so here I am.

It got me thinking. How many people out there believe that the answer to all their woes lies in getting signed up by an agent?

I bet there’s quite a fair bit who does. 

I’m not saying that an agent won’t get you work. I know they do. But I also know that a lot of times you’d have to show that you’re good at what you do (with actual paying clients) before they’re likely to take you on. Having a few people who know and have paid money for your work demonstrates that you have skills that people want. And when you have enough people who want to pay you for your services, you’re already in business. 

I’ve seen fresh graduates and a handful of self-taught illustrators scrambling to get representation, purely because they’re scared of what’s out there. Some of them would prefer not to talk about business or money because it’s a difficult subject and one that they’d like not to poke around even if they have a 10-foot pole. Handing all these important things off to an agent, while it’s convenient, does not detract from the fact that they’re better off learning about it at some point. And besides, that’s not what agents are solely for. 

Think of an agent as someone who can manage and find new avenues that you’re not reaching yet. They’re a treasure trove of connections and networking that allows you an insider’s peek at what’s on the table. Agents are great at negotiating contracts and getting you what you’re worth (or try their darnedest). What they’re not however, is a magical character who can guarantee you jobs and success just because your name is on their list.

Which leaves us with the chicken and egg situation:

If you have to beg and grovel your way to find an agent, you might not be ready for one just quite yet. Better to have them come a-knocking on your door (or invite them to see your potential with a well-crafted letter showing them who you’ve already worked with) when you’ve achieved a modicum of success through your own hustle, hard work and the right strategy.

And when that happens, you might just wonder if you need an agent at all.

Amy Ng blogs at Pikaland, a popular stop for illustration lovers, students and artists who are looking for answers on how to find a balance between art, creativity and commerce.

Posted by Amy Ng on 11/12/15 under artists,business,freelance
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Is Your Portfolio Website Too Demanding?

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Illustration by Thomas James

One of the most important things to keep in mind when designing your portfolio website is creating a space that is inviting and pleasing to Art Directors and other potential clients.

The best way to do this is to make your design as simple as possible while putting your work, and any other vital information, front and center.

You don’t want to do anything to detract from the quality of your work or place any barriers between your visitor and your bio and contact info. This can be a challenge when you try to balance this with a desire for a compelling and exciting design, professional branding, and a memorable experience.

One of the simplest ways to improve the flow and navigation of your site is to remove anything that “demands” anything of your visitor.

This means not making them have to work or think too hard when they’re working their way through your website and your portfolio.

To clarify, here are 3 things to avoid in order to keep your portfolio website from being too “demanding” of your visitors.

1. Extra Steps

You should remove any extra steps that might be required for an Art Director to get to your portfolio or view your work.

Some examples of extra steps are:

  • Landing Page that your visitor must click through to get to your main site with menu options.
  • “Portfolio” menu button links to multiple Portfolio categories, which link to more specific categories, which lead to thumbnails, which lead to images.
  • Portfolio images that open in their own window, requiring your visitor to go back or even close a window to get back to your main gallery.

By themselves, these examples aren’t necessarily deal breakers, but they can add up quickly to ask too much of your visitor’s patience.

2. Too Many Options

Avoid the temptation to over-segment your work into too many categories. Just like with the images you choose to show, less is more when it comes to the number of categories you wish to include.

Contrary to what you might think, people don’t want to be presented with an overabundance of choices to make. Too many categories means too much thought on the part of your visitor, which slows them down and degrades their experience of looking at your work. Take them straight to your image gallery as quickly as possible without making them work for it.

3. Poor Navigation

Making someone have to figure out how to make their way around your site is another way to make them work harder than they should.

Most of us aren’t intuitive web designers, so it can be challenging to get this right, but if you give navigation the attention it deserves, you’ll be less likely to confuse or annoy Art Directors.

Make No Demands

Whether you follow the specific examples above, the main idea here is to make sure you’re not requiring your visitor to do anything except enjoy looking at your amazing portfolio and keep you in mind for future projects. Anything beyond that just becomes a turn off.

Posted by Thomas James on 11/09/15 under business
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Pick of the Week for BOUQUET and This Week’s Topic

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Happy Illustration Friday!

Please enjoy the wonderful illustration above by Helena Perez Garcia, our Pick of the Week for last week’s topic of BOUQUET. Thanks to everyone who participated with drawings, paintings, sculptures, and more. We love seeing it all!

You can see a gallery of ALL the entries here.

And of course, you can now participate in this week’s topic:

ADVENTURE

Here’s how:

Step 1: Illustrate your interpretation of the current week’s topic (always viewable on the homepage).

Step 2: Post your image onto your blog / flickr / facebook, etc.

Step 3: Come back to Illustration Friday and submit your illustration (see big “Submit your illustration” button on the homepage).

Step 4: Your illustration will then be added to the public Gallery where it will be viewable along with everyone else’s from the IF community!

Also be sure to follow us on Facebook and Twitter and subscribe to our weekly email newsletter to keep up with our exciting community updates!

HAPPY ILLUSTRATING!

Posted by Thomas James on 11/06/15 under artists,call for entries,weekly topics
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Comics Illustrator of the Week :: Paul Smith

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This week we celebrate the artwork of comics legend Paul Smith! The 600th issue of Uncanny X-Men hit the stands this week and I was very pleased to see that Smith contributed one of the variant covers for this landmark issue. X-Men was really the reason I got into comics as a kid. In fact the very first comic I picked up and read(besides the Bob’s Big Boy comics they used to give away when you ordered a kid’s meal..) was Uncanny X-Men #166 with that glorious Paul Smith cover of The X-Men battling the Brood!

A good friend of mine at the time(probably ’83/’84) had an older brother who collected comics and he had an big, old chest full of them(no bags ‘n boards, mind you..). So, when I’d go over there for a sleep-over, I’d get to rummage through his treasure trove of funny-books and then pull a few out for some late-night sleeping bag reading! Those Paul Smith issues of X-Men were truly magical, and always will be to me. There have been many great artists to work with Chris Claremont on his classic X-Men run, including legends like Dave Cockrum, John Byrne, Terry Austin, Bob Wiacek, John Romita Jr, Barry Windsor Smith, Arthur Adams, Alan Davis, Jim Lee, etc. etc, but for me, my favorite X-Men artist will always be Paul Smith. 

Smith is mostly a self-taught artist. He worked as an animator on Ralph Bakshi’s The Lord of the Rings and American Pop before working at Marvel Comics in the early 1980’s. After establishing himself on titles like X-Men, Doctor Strange, and Marvel Fanfare, Smith would go on to do more independent, critically acclaimed series like Leave It To Chance and The Golden Age, both with writer James Robinson. He continues to work in mainstream comics for special projects, and cover illustrations, while also staying very busy with private commission work.

The best place to get updates on what Paul Martin Smith(PMS) is up to and to see more art is on his website here.

For more comics related art, you can follow me on my website comicstavern.com – Andy Yates

Posted by Andy Yates on 11/05/15 under artists,black and white,comic,design,illustration,weekly topics
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