Archive for the ‘artists’ Category
Post by Chloe
Rachel Frankel (also known as Speakeasy Illustrations) is an illustrator and graphic designer based in California. She has worked on a range of projects from editorial illustrations to surface pattern designs.
Rachel’s work is intricate, mysterious and focuses on the fragility of sheltered and wild existences. Her work is inspired by nature, music and emotional states.
If you love Rachel’s work as much as I do, please visit her portfolio here.
Who said that starting out as an aspiring enthusiastic creative was going to be easy? If it was there’d be alot more of us doing it. Now I’m not saying its impossible because my belief is, if your determined and put in the work you’ll see the results from all your efforts.
Although whether your a photographer, graphic designer, illustrator, pattern designer and more, over time the enthusiasm you found in the beginning of your journey can sometimes begin to wither if you’re feeling you’re not achieving the results you’d hoped.
This can be anything from not receiving many commissions, few followers on your social media or blog. However, there’s something you need to grasp and understand to avoid the negative taking over and embrace the postive.
The way to do that is by seeing the potential in what you do and here’s how you do just that :
Step one : Grab a piece of paper ( big or small depending how big your aspirations are and the projects your currently working on)
Step two : With a pen in hand write down all the things your currently doing on your journey for creative success . This can be anything from running your own blog to making a website, product and more.
Step three: Ask yourself ” Where could this lead” and what could your efforts doing that one thing achieve? So for example, you might realise that through starting a promotional illustration project could have the potential to 1. build your portfolio , 2. acquire you a commission, 3. create a series of mock products or 4. content for blog posts .
Step four : Visual the list of things you’ve written down. You should by now have a list of bullet points under each heading for the projects you’ve started. If there’s fewer points as to where your efforts could lead with the project revaluate why your doing it. Is there something you aren’t doing that could be beneficial to your creative venture or is there something to change?
As long as you see the potential in yourself and all that you do I am sure you will achieve your creative aspirations and goals. If you give up now whose going to know you are and the talent you have to share?
Image by designer Emmanuelle Colin you can find out more about their work here.
After attending and being part of the Cloud 9 craft fair in West Yorkshire a few weeks ago, I met the lovely Christine Heyworth and was delighted to view her beautifully delicate work. I must say that Christine was extremely friendly and was happy to talk about and show me her work. The primary media she uses is acrylic, but sometimes watercolour and oil can be found among her pieces.
The main inspirations of the environment and nature are clear in Heyworth’s paintings, with the vibrancy and colour bringing a new sense of life to the subjects in her work. Currently working as a soft furnishing designer, Heyworth keeps up with her artwork in her spare time using both photographic reference and her imagination.
Thanks for reading,
Modern Master of Mainstream Comics, Arthur Adams, has been contributing variant cover art for each issue of marvel’s big Summer event, Original Sin. Actually, each cover is a piece of the overall gigantic illustration featuring what looks like literally every Marvel Super Hero ever created!(…don’t quote me on that..but, it’s certainly a lot of characters!) The piece is stunning in it’s scope, and detail, which is really just another day for the likes of Arthur Adams.
Arthur Adams is a self taught artist, and he blew comics fans away early on with his distinct, highly detailed pencils & inks. He began working on such titles as Longshot, and New Mutants Special Edition for Marvel Comics back in the mid-80’s. Adams created his own comic, Monkeyman & O’Brien, published by Dark Horse in the 90’s, and his mainstream comics work has continued to increase in demand, especially with the recent explosion of special variant covers.
For more comics related art, you can follow me on my website comicstavern.com - Andy Yates
Malachi Ward has been building up steam in the small press comics world the last few years. His latest release, Ritual 3: Vile Decay, has been met with critical acclaim, and he continues his strong creative collaboration with writer/artist/friend Matt Sheean on their self-published title, Expansion, and Prophet from Image Comics. His earliest works, Utu & Scout, introduced his distinctive character-driven, surreal, sci-fi stories to readers, and you can find similar themes explored in his paintings, as well.
Malachi Ward was raised in Yucaipa, California, and studied drawing & painting in college. Some of his biggest influences growing up included Calvin and Hobbes, Star Trek: The Next Generation, and Spider-man comics. He currently lives in South Pasadena, CA with his wife Keiko.
Malachi will be attending the San Francisco Zine Fest this coming Labor Day weekend, Small Press Expo in North Bethesda, MD on September 13th & 14th, and Alternative Press Expo in San Francisco on October 4th & 5th. His work with Matt Sheean continues in Prophet Strikefile, hitting comics shops in the next few weeks.
You can order a copy of Ritual 3: Vile Decay at the Alternative Comics website.
You can follow Malachi Ward on his tumblr site here.
For more comics related art, you can follow me on my website comicstavern.com - Andy Yates
Article by Oli Rogers
Before we begin, a quick disclaimer: you’ve already missed all of these gigs. Sorry about that.
But never mind, you were probably busy anyways, right? However, had you been there in the crowd, it would in all likelihood have been because your eyes eager eyes once alit upon a flyer whose unique style could be described as “mid-Century comic book meets etching inside a disarranged psychonaut’s brain”: a flyer that was the work of illustrator Ben Foot. And today, Illustration Friday is here to save you all the bother of rescuing one of his aesthetically outstanding yet probably somewhat trampled pieces of art from of a post-mosh puddle of beer, because you can admire them all from behind a nice, clean screen of your choice.
Music and illustration are two disciplines that have a rich shared history; they’ve probably been complementing one another in some form or another since the first time someone opened their mouth to sing, thereby unleashing an avalanche of images on the inside of someone else’s skull. Indeed, there’s definitely something synesthetic about Ben’s work, with its behind-the-eyelids glow of candied violets and emeralds – and although there may not be any lyrical reference to moons with whimsical cat faces in the songs they complement, these images certainly hail from the same dimension of inspiration that informs the work of the musically innovative. In fact, this is artwork that at times strays into the sublime realms of true psychedelia, where image breaks down and the pure geometry of the universe, unfettered by mere human perception breaks through, spewing bubbles of energy and shards of celestial light through the rift and into the viewer’s consciousness. Yeah, you heard. At other times though, it’s as wistful and human as the work of Daniel Clowes.
Besides creating musical ephemera par excellence, Ben’s work has also adorned t-shirts from purveyor of illustrated fashions, threadless.com, and appeared in self-penned comics effervescing with his trademark surrealism and wry humour, such as the outstandingly-named Sparkly Sparkly Chew.
If you’d like to see more of Ben’s artwork (and why wouldn’t you?), head over to his website.
Flora Waycott graduated from Winchester School of Art with a BA Hons in Textile Design, her whimsical designs are inspired by her childhood in Japan where she was surrounded by lots of colours and patterns. She currently works freelance in New Zealand creating illustrations and surface patterns for stationary and the children’s apparel market. I really like all the textures that you can see in Flora Waycott’s work as I think this makes them really visually exciting. I also love how she uses nature in her work as it looks very beautiful.
Posted by Jessica Holden.
Contemporary artist, Louise McNaught uses nature and animals as her primary source for inspiration and says her degree in Fine Art at the University of Greenwich (2012) helped her achieve what she does today. It is so reassuring to hear this as an undergraduate student and budding artist myself!
The use of vibrant colour created by using neon and metallic paints gives a sense of uniqueness and life to her paintings, although even McNaught’s delicate use of pencil brings this sense of depth also. There is something mesmerising about her work and how she portrays nature as a powerful force, emphasing their beauty. I also love the way the artist uses a variety of materials to paint on which gives her pieces a certain edge.
Thanks for reading,
Pretty soon many very talented young creative people will be setting out to start university or art college. I remember back to my very first day of university studying my creative degree, I didn’t particularly know how to best prepare for my degree or what to expect and hence this meant I was a tiny bit behind when I started.
If you’re in the midst of packing for university, ready and raring to start your course but want to prepare before taking the leap here I’ve put together 5 tips to do before you begin to help give you a flying start!
Art box materials
Art college/university is a great opportunity to really broaden your creative understanding, explore different styles and experiment with materials to really find your own creative niche. So gather together a variety of art materials from oil pastels to watercolour, acrylic paint, ink and collage. Having these materials to hand in an art box or tool box will make it easy for you to carry to and from college with ease.
The ever faithful sketchbook is going to be your best friendfor each art project your given. There are lots of different sketchbook types that may suit various creatives tastes, when considering size though having larger size sketchbook such as a4 and a3 will give you plenty of room to draw without limiting your ideas.
Thirdly is your portfolio which is where you’ll store all progressive artwork for each project from start to finish. In art college we were required to use A1 size portfolios with a centre binder and plastic display pockets, however depending on your college or university this may vary. Be sure to ask your college or university what type of portfolio you might need before you start so that you can be sure to get what’s needed in advance.
Computer equipment & software
Computer’s , scanners and other such creative gadgets are sure to be important tool to help you edit , develop and progress with your work ( many of which maybe available to use within the college / university). However it’s handy during those dissertation projects or final deadlines to have these things to hand at home as well to prevent unnecessary stress. So using some funding available to you look into investing in both a printer, scanner and laptop to enable you to effectively complete your work as and when with ease.
Art software such as adobe creative suites are also crucial tools for many creatives from photographers to graphic designers though they can be an expensive investment to make. However if you’d like to try these software’s in particular there are various trial downloads and student editions of adobe that you can get online or subscribe to creative cloud to give you access to the various software you may need.
Be open minded & try new things
Now remember you are on a creative journey through your art education and now is the time to be open minded and try new things because it all plays a crucial part in your self discovery. When I started art college I was very much into the animation, at 17 it was what I was aiming to do so I drew very graphically in my work using strictly ink and markers. Although because I did this I missed out on being able to experience a wider range of art techniques like print making which in turn made my work very limiting.
So be open minded, though you may well have an aspiration to be a specific type of artist also understand that this may well change as you venture through your course. My best advice is listen to your tutors and experiment in the creative studio as much as you can and absorb all the learning.
Image by designer Susan Estelle Kwas you can find out more about their work here.
Self-described “designy illustrator” Mikey Burton is a Philadelphia-based creative with a serious bear preoccupation. His professional work centers around editorial illustration, infographics, and identity design. He’s also been bestowed with awards from ADC Young Guns, Communication Arts, & Graphis, some of the most prestigious organizations in the industry, and has worked with clients like The Atlantic, Converse, Facebook, Fast Company, and Wilco. Mikey values simplicity in principles of color and design, using minimalism and traditionally-inspired typography to an effective advantage. The understated elegance of his work is what secured his spot in the Art Crush Friday Hall of Fame.
Mikey’s aesthetic is identified in the intersection between sharp, geometric vector designs and substantial, meaningful textures. I use the word meaningful not to be an art school asshole, but to say that the textures have strong purpose and intent in his work.
As I’ve learned more and more about graphic design, I’ve started to see the fork in the road that exists between flat and realistic design (this gorgeous Webby-winning site explains this very conundrum in further detail). As I mentioned earlier, Mikey’s process allows real textures to shine through flat shapes, seemingly creating atmospheres within the simplest of flattened shapes. Interestingly enough, he’s referenced his really old HP LaserJet printer as being the very tool that creates these fascinating textures. [More about his process here.]
Mikey swears by two things in particular before starting his design process: coffee and preliminary sketching. He’s a refreshingly real person who needs to participate in real humany things before dragging along on the computer for hours on end. He will routinely post final work to his Dribbble account, modestly seeking feedback from the peers he so deeply respects. I admire his humility, honesty and continual hustle for meaningful work, even amidst his great successes thus far. For budding designers, here’s some of Mikey’s advice: create work that you want to be hired to do, and don’t be a lame person to deal with.
Follow along with Mikey and his adventures to come: