Archive for the ‘Authors’ Category
If it’s not worth drawing, it’s probably not worth having after all.
Maira Kalman is an American author, illustrator, designer, and book artist. She has written and made pictures for numerous books including Ooh-La-La Max in Love (for children) and The Principles of Uncertainty (for grown-ups).
Maira was born in Tel Aviv, Israel in 1949. She moved to New York City with her family when she was 4 years old. She attended the High School of Music and Art, made famous by the movie, Fame. She wanted to write short stories. So, she studied English in college at New York University.
Mrs. Kalman helped her husband, Tibor, found a graphic design company in 1979. Their studio, M&Co. was very successful. Some of their pieces can even be seen at the Museum of Modern Art. Tibor was the star and Maira was the “in house muse.” They designed album covers, magazines, film titles, clocks, umbrellas, and more. They accomplished all this while raising their two children, Lulu Bodoni and Alexander Onomatopeia.
Ms. Kalman also worked as an illustrator. In 1987, she illustrated a children’s book for David Byrne. He’s the lead singer of a band, the Talking Heads. Their book, Stay Up Late, launched her career as a book artist. A year later, she published her own book, Hey Willy, See the Pyramids. The book played with words and pictures. Kids and parents liked it so much that it started a new kind of children’s book: The expressive picture book.
A big hero of Maira Kalman’s early books was a dog poet named Max Stravinksy. Her books about Max won lots of awards. Kalman also wrote and illustrated Chicken Soup, Boots (about finding the perfect job); Next Stop Grand Central (based on murals she created for New York’s Grand Central Station); What Pete Ate From A-Z (a story about her own dog, Pete) and Fireboat (about an old fireboat that helped stop the fires in New York on Sept. 11, 2001). Each book celebrates Kalman’s love for New York City. They also tell a little bit of her own autobiography.
Before her husband died in 1999, Maira curated ‘Tiborocity’, a museum exhibition about his life’s work. She drew a beautiful story for New York Magazine about Tibor’s last days. She continued many of the projects that they began together like (un)Fashion, a book about world-wide fashion, and Colors, a magazine that Mr. Kalman founded.
Maira Kalman lives and works today in Manhattan in New York City. Her paintings are sold in galleries. She writes and draws for The New Yorker and The New York Times. She speaks on public radio. She paints murals. She designs handbags. She paints sets for dances and operas. She teaches at the School of Visual Arts. She is on the board of the American Institute of Graphic Arts. Kalman illustrated The Elements of Style, a textbook for writers. Her illustrated blogs, The Principles of Uncertainty and The Pursuit of Happiness, were published as books. In 2010 and 2011, her work was collected for exhibitions at the Jewish Museum in New York, The Contemporary Jewish Museum in San Francisco and the Skirball Center here in Los Angeles. You can find her online at MairaKalman.com.
Maira Kalman has been a favorite artist of my family for as long as I can remember. Her Max Deluxe was a coffee table book in my high school home and her first New Yorker covers hung framed in our kitchen. My favorite is this one (above) that I also took with me to my first apartment. Beyond being one of my favorite artists though, Ms. Kalman serves as a wonderful example in my classroom. Her work is accessible, diverse, experimental, and cross-curricular. Consider, for example, how her recent books, Looking at Lincoln and The Pursuit of Happiness, make history personal. Not to mention how her illustrations for The Elements of Style make grammar warm and beautiful. I’ll be using Maira Kalman this year to inspire the kindergartener’s coloring book, the third graders’ still-life drawings, the fifth graders’ illustration project, and the seventh graders’ political cartoons.
Portrait of Maira Kalman drawn by yours truly, Rama Hughes
Posted by Jeanine
Marta Spendowska is an illustrator, licensed surface pattern designer, and web & print designer. She paints primarily on paper , building up layers of color into an intermingling shapes—which she calls “watercolor vanity”, and which has gorgeous results. I’m especially drawn to her fashion portraits, as she captures an exciting energy through color & line while also often conveying a beautiful melancholy in the expression of her subjects.
Her portfolio includes work for ad agencies and magazines in food, beauty & fashion markets.
Shintaro Ohata’s work is instantly recognizable. Using dappled brushstrokes, he blends 2D and 3D work into one seamless piece. Ohata was born in Hiroshima in 1975
To see more, check out Yukari-Art
Hayao was born in Tokyo. He wanted to be a mangaka, or comic book artist. In high school, Hayao “fell in love” with the heroine of The Tale of the White Serpent. The animated film inspired him to study animation. In college, he joined the Children’s Literature Research Club. It was the “closest thing to a comics club in those days.”
Upon graduation, he got a job as an in-between artist at Toei Animation. He was first noticed for his work on Gulliver’s Travels Beyond the Moon. He didn’t like the ending. So, he pitched his own idea which was accepted and featured in the finished film. Over the next few years, Miyazaki played an important role in the creation of numerous Toei films like Hols: Prince of the Sun, Puss in Boots, Flying Phantom Ship, Animal Treasure Island, and Ali Baba and the Forty Thieves.
In the 1970s, Miyazaki worked on television shows for several animation studios. He collaborated with his mentor, Isao Takahata, to create a cartoon about Pippi Longstocking, the famous Swedish children’s book heroine. When Pippi’s creator refused the idea, Hayao adapted it to create Panda! Go, Panda! A cartoon about a red-headed girl adopted by a panda bear. He went on to direct Future Boy Conan, an adaptation of another favorite children’s book. His directorial debut was The Castle of Cagliostro, a sequel. His first original film was Nausicaa of the Valley of the Wind, based on his own manga or comic book series. These early cartoons established some of Miyazaki’s most enduring themes: pacifism, feminism, environmentalism, morally ambiguous characters, and a fascination with flight.
The success of these early projects allowed Miyazaki to organize his own animation company, Studio Ghibli. Miyazaki named the studio with the Italian word for wind. His purpose was to “Blow a new wind through the anime industry.” Their first film was Castle in the Sky about two orphans in search of a magical castle. My Neighbor Totoro is about two girls who discover forest spirits in their backyard. The largest Totoro became the symbol for Studio Ghibli. Kiki’s Delivery Service told the story of a young girl who goes to the big city to become a witch.
Princess Mononoke was the studio’s breakout success. Its conflict between animal spirits and industrial humans allowed Miyazaki to explore ecological themes within an exciting fantasy world. The movie won Japan’s award for Best Picture. But Miyazaki had drawn 80,000 of the cartoon’s frames himself. He was exhausted by the process, and announced that Princess Mononoke would be his final film.
During this semi-retirement, Miyazaki spent time with some friends and their daughters. One of these girls inspired his next movie. Spirited Away is about a young girl who must rescue her parents from a bizarre spirit world. The film elaborates of Miyazaki’s philosophy of good and evil. “In Spirited Away,” Miyazaki said, “The heroine is thrown into a place where the good and bad dwell together. She manages not because she has destroyed the ‘evil’, but because she has acquired the ability to survive.” The movie was Miyazaki’s greatest success. It won the Japanese Academy Prize, a Golden Bear from the Berlin Flim Festival, and an Academy Award for Best Animated Feature. It is still considered one of the best films of the 2000s.
Miyazaki came out of retirement to help his studio complete Howl’s Moving Castle. His son, Goro, directed Tales from Earthsea based on some of Hayao’s favorite novels. During a vacation by the sea, Miyazaki kept sketchbooks and was inspired to direct another movie. Ponyo was a modern day adaptation of the Hans Christian Anderson fairy tale, The Little Mermaid. Miyazaki used no computer animation for the film at all. “It will be the director’s challenge to express the sea and its waves with freehand drawing.” Miyazaki co-wrote Studio Ghibli’s next films, The Secret World of Arrietty (based on Mary Norton’s novel, The Borrowers) and From up on Poppy Hill.
In 2013, Miyazaki completed his final film. The Wind Rises, and announced his retirement from animation. He told reporters that he is “quite serious” this time. He explained that an animator’s life as “quite strenuous” and he believes he is getting too old for the business. He is contributing to his son’s next film, but he plans to pursue new goals like working on the Studio Ghibli Museum. During a recent interview, he explained the purpose of his work: “I wanted to convey the message to children that this life is worth living.”
My students lit up when I presented Miyazaki as our master of the month. Few of them knew who he was but almost all of them knew and loved his movies. He is, of course, a perfect example for my sixth graders’ animation lessons. I was excited to share his watercolor studies for my students who are watercoloring. But my favorite Miyazaki lessons are his philosophies and encouragement. Besides his words on his retirement (that life is worth living), his movies are full of inspiration. Whispers of the Heart is practically a manifesto for young artists. A grandfatherly figure encourages a young writer by comparing her to an unpolished stone. “When you first become an artist,” He says, “You are like that rock. You are in a raw, natural state, with hidden gems inside. You have to dig down deep and find the emeralds tucked away inside you. And that’s just the beginning. Once you’ve found your gems, you have to polish them. It takes a lot of hard work.” When she finally delivers her first novel to him, he commends her and criticizes her. Understandably, she melts down in tears. It is such a genuine portrayal of the artistic process and of human emotion. (The movie itself is one of Miyazaki’s rough gems, but worth a viewing to see how he honed his own craft.)
Spirted Away was my first favorite Miyazaki movie. I vividly remember the afternoon that I first saw it. For those two hours I was transported into that world, and it is the only film that I have ever described as breathtaking. As extraordinary as the spirit world was though, I was most impressed by the ordinary moments that the movie noticed and took the time to animate. How Chihiro taps her toe when she puts her sneakers on. How she loses her balance on the stairs. Most of Miyazaki’s movies take the time to show us these things. Because of that, they do more than entertain me. They help me see my own life more clearly and with more curiosity.
I love how detailed these pieces by Tom Berry are, and I’m obsessed with their circular compositions. Be sure to hop over to his website; you can look at these up close over there. Berry lives in Bristol.
Caroline Gray is an illustrator that specializes in three dimensional photography. She doesn’t say much about her process on her website, but it looks like she makes her own sets and models, and then poses and lights the scenes by herself. A great example of 3D and 2D techniques together.
To see more, check out her portfolio
Posted by Jeanine
Posted by Jeanine
Oana Befort is a freelance illustrator and graphic designer living in Bucharest, Romania. Having previously held design jobs within advertising agencies, she has a passion for photography, crafts and everything artsy. She sells many of her beautiful, delicate ink and watercolor prints and cards in her successful Etsy shop.