Archive for the ‘children’s art’ Category
Post by Heather Ryerson
Montreal illustrator Janice Nadeau has won three Governor General’s Awards for her poetic, evocative illustration. She uses watercolor and pencil (and sometimes charcoal and ink) to create her sophisticated color palettes and detailed characters and scenes. Nadeau has illustrated three books including Harvey, a long-form graphic picturebook that appeals to both children and adults for its honest portrayal of loss. Nadeau is now working on an animated short.
Isabelle Arsenault’s illustrated children’s books Migrant, Spork, and Virginia Wolf have been much praised and received numerous awards, including two Governor General’s Awards. Her children’s graphic novel Jane, the Fox, & Me was published in 2013. She lives and works in Montreal.
I got a kick out of these monsters painted by Nate Wragg. He’s a dynamic illustrator that is featured in Gallery Nucleus and hangs out on the internet as a professor at CGMA. Check out his work: Nucleus | Blogspot
Posted by Angie
Gustavo Aimar is an Argentinean graphic designer, illustrator, and fine artist. He draws from all of these disciplines to create mixed media collages with a variety of materials and textures. He collects vintage and used papers, and allows the materials tell him what to do.
Lately, his work is focused on children’s illustrations. He has worked on more than a dozen books, and occasionally collaborates in diverse publications and projects. His work is so rich with ideas and inspiration that every time I see one of his pieces, I feel the urge to immediately stop whatever I’m doing and start working on something of my own. He’s brilliant.
Post by Clio.
Kevin Waldron is an Irish born illustrator currently living and working in New York City. Kevin makes beautiful picture books for children with funny characters and bold colours and shapes. Kevin’s first book Mr Peek and the Misunderstanding at the Zoo, unveiled Mr Peek, his eccentric and amazing zoo keeper character and it won the Bologna Ragazzi Award Opera Prima Award in 2009. The sequel Pandamonium at Peek Zoo was released in April of this year.
Posted by Angie
Aurora Cacciapuoti is a Sardinian illustrator currently based in Cambridge, UK. She splits her time between running art workshops and working as a freelance illustrator, and her clients have included several magazines and books, and Wordsation, a baby clothing shop online. Her recent projects have included drawing 365 faces in a year, inspired by real and imaginary people.
In 2012, she drew 52+2 book covers– one per week and then one for each extra day of the solar year. She chose her favorite books for the project.
Posted by Angie
Alessandra Cimatoribus was born in Spilimbergo (Friuli, Italy), where she continues to live and work. She has illustrated children’s books, games, packaging, advertising, and provided designs for theatre costumes.
Check out more of her work on her website.
Post by Naomi
I am in awe of Yan Nascimbene’s breathtaking watercolors. Such a sense of stillness, light, and life.
Yan Nascimbene was raised in France and Italy. After working as a photographer in a Paris fashion studio, he studied at the School of Visual Arts in New York and at the University of California at Davis. He later spent many years living variously in California, France, and Italy. His illustrated edition of Marcel Proust’s Swann’s Way. Antibes, Clarievere et Autres Couleurs, his first book as author and illustrator, won the Graphic Award at the Bologna Book Fair in 1992. Yan illustrated Italo Calvino’s Invisible Cities, Palomar, The Baron in the Trees and others. Nascimbene has illustrated over 50 books and 300 book covers. He passed away in Mexico on Feb 1st 2013.
Here is what he had to say about working with clients:
Rather than feeling limited by a client’s idea, I find that the challenge of expressing precisely his/her idea in my own aesthetical terms forces me to think harder, to search deeper and ultimately to create a much stronger and interesting image than if I had been given total freedom of style, format and subject-matter. I try to illustrate a literary piece between the lines, and I feel that an illustration must reflect at once the client’s idea and my identity. First and foremost comes the need of the client, then my understanding of such a need and the elaboration of a concept. This is the most taxing and important phase of the work, often the one that will require most time. A thorough sketch (or sketches) will allow me to explain the concept to the client and structure the image (composition, balance, etc.) until his/her unequivocal satisfaction. The final painting, although still an emotional and creative task, will rely at least as much on technique and my ability to translate our early discourse and sketches into a factual image, as it does on pure imagination. In my case, it is usually a quicker stage, as all but a few challenges have already been resolved.
Posted by Angie Brown
Erin Bennett Banks has a passion for rich narratives and culturally distinct visual storytelling. She has illustrated three nationally published children’s books, and has won several awards for her work. She has also created illustrations for clients such as Highlights for Children Magazine, McGraw-Hill, The Weekly Reader and Harvard Business Review, and her paintings have been licensed artwork for JCPenney and Bed, Bath & Beyond.
Erin lives in Charleston, SC with her husband, two cherub babies, and a couple of pugs.
She paints in oils, and I love the vibrant red outlines that electrify her compositions, and the angular planes of her “primitive” style, and the expressiveness of her characters.
View more of her work on her website.