Archive for the ‘children’s illustrators’ Category
Post by Jeanine
It’s hard not to fall in love with the work of French illustrator Rebecca Dautremer; Her picture books are like stepping into magical worlds filled with charming characters. With warm color palettes, subtle textures, and unexpected compositions, she tells her fairy-tale & folklore inspired stories with a surprising twist & a touch of humor, making them extraordinary stories for children and adults alike.
She often collaborates with her husband, French children’s book author Taï-Marc Le Thanh, and has also worked on a few animated projects. Stop by her website to see more her beautiful work!
This Art Crush entry has truly been a long time coming. I first came across Lisa Congdon by way of Meighan O’Toole’s former art blog and podcast, My Love For You (which is post-worthy in its own right–it was an enormous source of inspiration for me during my college years). While I definitely gravitated to Lisa’s work on a visual level, it was her personal story that drew me in. Freelance illustration had been her second career. She didn’t start painting or making art until she was 31, and here she was, participating in museum-level shows, working with clients like Chronicle Books, and just being a genuine, successful badass. Lisa is not only someone I look up to artistically–she’s also a prime example of a human being.
Lisa’s art career was secondary, after she accumulated over a decade of experience in the education and nonprofit industries. By pure chance, she stumbled into a painting class and began making art of all kinds from that day forward–fueled by pure joy instead of the desire to succeed quickly. Having always been an avid collector, her random ephemera would find their way into countless collages as well as a series of photos, drawings and paintings that would eventually make up her A Collection A Day project. As she continued to develop her craft and share it with the ever-expanding Internet, people began to catch on. Today, she is an accomplished and prolific working artist, blogger, illustrator, public speaker and writer. Some of her most notable clients to date include The Land of Nod, The Museum of Modern Art, Harper Collins, 826 Valencia and Martha Stewart Living Magazine.
Lisa unabashedly tackles the subjects she is most passionate about, and that fearlessness is expressed effortlessly in the execution of her work. She describes herself as a “visual junkie,” and is deeply inspired by patterns, travel, architecture and vintage packaging, just to name a few. A faithful blogger, Lisa writes about her own process in addition to other artists whom she admires, as well as her life “outside the studio,” which includes swimming, biking, sewing, and traveling. In other words, she’s just making all of us look bad! (I only kid.)
One of the reasons I relate to Lisa’s work is due to the versatility and ever-evolving nature of her aesthetic. Certain characteristics like neon hues and her penchant for all things Scandinavian are mainstays, but she continues to branch out and explore all kinds of mediums (block printing and calligraphy, to name a few). These explorations fuel her work and expand her direction, which is most recently geared towards abstract painting. She’s a wonderful example of why you don’t need to narrow yourself down to one specific style (something I often grapple with).
Lisa is quite a unique artist in that she is not only a creator, but a mentor as well. Breaking into freelance illustration can be a challenging and solitary undertaking, and she continues to give her generous time to those who wish to pursue and learn more about the field through classes, speaking engagements and conferences around the country. I first met Lisa at her first Freelance Illustration class at Makeshift Society back in December 2012, and it was one of my most pivotal learning experiences to date.
Lisa recently released her new book, “Art, Inc.: The Essential Guide for Building Your Career as an Artist,” which is a revolutionary and timely answer to the starving artist stereotype. It covers all areas of the freelance artist’s domain, such as photographing fine art, finding printing services, copyright, and diversifying income. It sits on the shelf above my working desk (I like to call it my “VIP” shelf) as I reference it constantly.
On that same note, I’m very excited to be taking Lisa’s “Become A Working Artist” class through CreativeLive next week! You can follow along with the class virtually by RSVPing here.
Follow along with Lisa below:
Purchase Lisa’s books below:
Posted by Rachel Frankel on 09/28/14 under abstract,apparel / products,artists,children's art,children's illustrators,creativity,design,digital,freelance,Lettering,master of the month,pattern,pen/brush and ink,typography
I got a kick out of these monsters painted by Nate Wragg. He’s a dynamic illustrator that is featured in Gallery Nucleus and hangs out on the internet as a professor at CGMA. Check out his work: Nucleus | Blogspot
For those of you who enjoy sketchbooks as much as I do, HERE is a peek at one of mine. Like all my sketchbooks, it’s mostly filled with drawings of family, friends, favorite places, and things around my home. Since I received this particular book as a gift though, I’ve been sharing pages online and, since I seem to be on a roll, I thought you might enjoy the drawings too. I hope so.
Post by Clio.
Kevin Waldron is an Irish born illustrator currently living and working in New York City. Kevin makes beautiful picture books for children with funny characters and bold colours and shapes. Kevin’s first book Mr Peek and the Misunderstanding at the Zoo, unveiled Mr Peek, his eccentric and amazing zoo keeper character and it won the Bologna Ragazzi Award Opera Prima Award in 2009. The sequel Pandamonium at Peek Zoo was released in April of this year.
Post by Penelope
As the mother of a kiddo who’s in love with picture books (what kid isn’t?), I thought I’d start sharing some of our favorites here on the ol’ IF Blog in a new “Book Bliss” series. These are books that are wonderfully illustrated with great stories. Fun indeed! I hope you’ll enjoy!
The first one I’d like to rave about is called Flotsam by David Wisner. Have you seen this book? It’s amazing.
Here’s the description from Amazon:
“A bright, science-minded boy goes to the beach equipped to collect and examine flotsam–anything floating that has been washed ashore. Bottles, lost toys, small objects of every description are among his usual finds. But there’s no way he could have prepared for one particular discovery: a barnacle-encrusted underwater camera, with its own secrets to share . . . and to keep.”
David Wiesner’s detailed illustrations surely spark the imagination with images of puffer fish hot air balloons soaring through the sky, starfish islands tottering around tiny whales and sea shell homes perched on turtle shells. One of my favorite images is of a family of octopuses in their underwater living room. It’s just great — so detailed and funny.
David Wiesner is one of the best-loved and most highly acclaimed picture book creators in the world. His books have been translated into more than a dozen languages and have won numerous awards in the United States and abroad. Flotsam won a Caldecott Medal in 2007. David also shares his process on his website!
Check out Flotsam for yourself… It’s definitely one to own even if you don’t have kids. You’ll love it!
1. Tell us about yourself / What makes you tick?
Hi, my name is Jannie Ho (pronounced Jane-nee) and I’m an illustrator specializing in children’s books and products. I went to Parsons School of Design with a BFA in illustration. I’m also known as Chicken Girl. Because who doesn’t like a chicken or two?
2. How did you get started as an illustrator?
After I left school, I worked as a designer and art director, before deciding that illustration was my true passion. I think I had a lot of years of self doubt, and when I read The Artist’s Way by Julia Cameron and she talked about “shadow artists,” it really hit home. So while I was working at the full time design job, I slowly went back to build my illustration portfolio while taking continuing education classes at School of VIsual Arts. I signed with a rep and was working the full time job and doing freelance illustration on the side. Eventually I made the transition to being a freelance illustrator full time.
3. How did you find your style? Has it changed since you started?
When I started to learn Adobe Illustrator, I felt like that medium lends itself well to what I imagine my style would be like. It took years of being out of school before I found my style. But with that said, my style is always changing (and should change.) It has changed a lot since I started 7 years ago. Lately I feel a big shift coming over me and there is a huge hurdle I have to overcome. The style I can imagine in my head is not the way it is on paper at the moment. But so it goes — that is part of the process.
4. Can you briefly explain your creative process, mediums, etc?
I work 99% in Illustrator. I use to do pencil sketches, scan them in, and draw on top of my sketch. But since a lot of client work has quick turnarounds, I began doing grayscale vector art as a sketch, straight on the computer. If the project calls for a certain subject matter or theme, I like to do some image searches just to get the ideas flowing. And for fresh color palettes, I like colourlovers.com for inspiration. It always gives me something new and prevents me from using the same old palettes.
5. How do you come up with new ideas? Do you have a process?
I have to say I don’t really keep a sketch book for ideas. However, I always have various digital files I started with different little artworks. I listen to podcasts and free play, building a scene, making characters. My ideas flow this way.
6. Do you ever have creative slumps? What do you do then?
Yes, of course! Switching projects always helps. I try to stagger projects to keep the creative juices flowing. I really do believe in having time away from a creative problem and trust your subconscious do some work. When I get back to it, there are always new and fresh solutions. I understand this may not be optimal for client work and short deadlines. But even going for a short walk helps.
7. Best / most fun part of your job:
Creating a world of my own. I can be an interior designer, fashion designer, furniture designer, etc. in my illustrations. I get to draw all day — sometimes I work on projects that I would do on my own for free… but don’t tell the client that!
8. Worst / most difficult part of your job:
The feast and famine of freelancing life can be tough. Working from home can be a lonely thing, even for those of us who enjoys solitude. Thank goodness for the internet that illustrators can connect with each other through social media.
9. Do you have side projects you work on?
I always like to have something going on the side. I started an ABCs series which started as a promo card but then it was so much fun that I continued with them. I also enjoy writing and illustrating comics and this is something I feel I can get more personal with. As much as I enjoy children’s publishing, it is nice to work on something more “grown up.”
10. What’s on your horizon? Any current/future projects and plans/dreams you can share with us?
I have a wonderful board book series coming out with Nosy Crow, called Tiny Tabs. The first 2 titles, Teeny Weeny Lost His Mummy, and Bunny Boo Lost Her Teddy, is being released in April 2013. I also have a pop-up gift book coming out in the fall, published by Campbell Books.
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5 things inspiring you/your work right now:
limited color palette
3 constants in your day:
Your #1 art tip or words of wisdom:
It will always be an uphill battle, so just enjoy the process and the journey. Take time to celebrate achievements along the way. Believe in your work. Never give up.
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Thank you so much, Jannie Ho!
Children’s illustrator Amy Adele is inspired by nature, folk tales and a childlike imagination. Her work is built around a love for hand painted details and the richness of natural earthy colors. We love the whimsy!
Mikela Prevost is an illustrator that gravitates toward that most interesting subject of all. Us. People. Be careful what you do in front of her, because she is discretely sketching it in her sketchbook where you will later find it translated into her latest illustration.
Mikela received her B.A. in Painting and Drawing from the University of Redlands and later went on to receive her M.F.A. in Illustration from Cal State Fullerton. While working on her degree, Mikela found the time to get married, and together they are raising their three very curious kids.
Find more of Prevost’s work on her website.
Constanze is an award-winning, German illustrator and author. She has a wide variety of clients in the illustration industry including publishing houses, magazines, newspapers and design companies.
I love her sweet scenes, bright colors and attention to detail!