Meg Hunt is a fabulous illustrator and hand-letterer, although her aesthetic is informed by the printmaking process as well. In her own words, she’s inspired by “a sense of delight and the ability to tell stories.” She’s a self-described bookworm, nature buff, and former aspiring Muppeteer.
It’s obvious that Meg has a sincere love of nature and animals, a fondness acquired during childhood and one that flourished once she moved out west. A native of New London, CT, Meg attended the University of Connecticut and received a dual degree in printmaking and illustration. She’s mentioned that attending an interdisciplinary college aided in her own abilities to explore and play within her art–while there are obviously some pros and cons of attending state schools, I definitely agree with her sentiment on this. After finishing up college, Meg moved out to Phoenix, AZ for 4 years, then to settle in Portland, OR.
Meg turns to a variety of literature and comedic podcasts to help her draw out ideas. Her process shifts between analog and digital–she employs different physical tools such as watercolor paint, powdered graphite, mechanical pencils, wax pastels, and many more to add texture to her final compositions.
In addition to her work as a freelance illustrator, Meg has also taught at Portland State University and currently teaches Visual Techniques at Pacific Northwest College of Art. She is represented by Scott Hull Associates and her client list includes Nickelodeon Magazine, Junior Scholastic Magazine, Radiolab, Chronicle Books, and Threadless.
Mary Kate McDevitt is one of the most successful hand-letterers and illustrators working today. A graduate of Tyler School of Art, Mary went on to work at a design studio in Lancaster, Pennsylvania. After 2 years, she moved out west to pursue a freelance illustration and design career in Portland, Oregon before ultimately settling in Brooklyn, New York, which is where she presently resides. While she previously imagined that she would work as an illustrator, dabbling in some lettering on the side–but it turned out to be quite the opposite. Her ever-growing client list includes Chronicle Books, CMYK Magazine, Fast Company, and the United States Postal Service.
She is specifically inspired by vintage type and techniques, including the ones of her own family. As a teenager, she discovered a plethora of handwritten letters that her mother and aunt wrote to her grandmother during college. She used this inspiration for her Your Handwritten Letters project, a daily hand-lettering exercise. Mary would hand-draw a letter of the alphabet and mail the original to a unique participant each day.
Beth Knight grew up in Wales and has a degree in Graphic Design from the Norwich University College of the Arts. As a child she used to sketch the creatures she found when she went out hiking, and from there her passion only grew. There’s something really calming about her work; it reminds me of Beatrix Potter! Check out her other work or follow her here: Portfolio | Twitter
Originally from “a little town near Hannover in Germany” Anke Weckmann has been living and working as an illustrator in London for many years now. She developed a lovely, distinct yet versatile style that works in Editorial, Fashion, as Music Artwork and in Product Design (Anke illustrated the packaging of a whole product range of cosmetics and accessoires for te brand “Too Cool For School”). And besides being updated on current commissioned works you can find the very charming and funny “Learning French” comics on her blog.
I especially love the delicate balance of detail and composition, ornamental elements and coloring. There’s so much to discover and yet her works never seem overloaded.
Also fellow or future illustrators might want to do themselves a favor and check out Anke’s blogpost on working out and staying healthy while you spend most of your career sitting at a desk.
Aurora Cacciapuoti is a Sardinian illustrator currently based in Cambridge, UK. She splits her time between running art workshops and working as a freelance illustrator, and her clients have included several magazines and books, and Wordsation, a baby clothing shop online. Her recent projects have included drawing 365 faces in a year, inspired by real and imaginary people.
In 2012, she drew 52+2 book covers– one per week and then one for each extra day of the solar year. She chose her favorite books for the project.
Aurora’s work is fun and spirited. See more of it on her website and blogs!
Natasha Newton has captured the very essence of the experience with peaceful forests and rolling hillsides. Natasha utilizes watercolor and acrylic on canvas, wood, and stone. Her muted, monochromatic palette and strong attention to texture create a wonderful depth in each landscape, as if you are looking out across fields at night and you are encountering this landscape for the very first time.
Random House has featured Natasha’s work on the cover of five different books by author Jorge Bucay, and her paintings are featured in numerous magazines including Design*Sponge, Homes & Gardens, and Apartment Therapy. Her work can currently be found in galleries in Suffolk, England, and Seattle, Washington. Natasha’s work is also showcased internationally in a variety of exhibitions.
To me, sketchbooks are the most interesting part of an artist’s body of work. They show thoughts and observations before they become hidden in a more complex piece. I love the finished quality to Nicholas Stevenson’s sketchbooks so much, I just had to share! I have such a weakness for saturated color palettes and hectic compositions. Nicholas Stevenson is an illustrator based out of London who works mostly in Gouache. When he’s not painting, he plays a lot of music. I highly recommend checking out his portfolio, and all of his other internet hangouts: Portfolio | Twitter | Tumblr | Behance | Music
Russell Leng’s geometric forms are striking. Using a variety of media for his paintings including ink, acrylic, and spray paint, Russell recreates the relationships he finds between natural and man-made landscapes.
Russell currently lives in the United Kingdom and is pursuing a Masters of Fine Arts in Contemporary Art Practice at Edinburgh College of Art. He initially earned his Bachelor of Arts in Art from Trinity Western University. His work has been featured in numerous galleries and publications in the United Kingdom, British Columbia, Ontario, California, and Illinois, and Russell was awarded the first place Surrey Art Gallery Painting Prize in 2009.
View Russell’s full portfolio and follow his developing career on his website at russellleng.com
Rich Gemmell combines pencil and ink washes with digital elements to create a deep, rich texture for each of his illustrations. Rich keeps sketchbooks during travels through other countries, such as Scotland, France, and the United States, and his illustrations are developed from these entries with tracing paper. After pencil lines are thickened and ink washes are added, Rich scans his work into the computer to add some final touches.
My absolute favorite of his works is Falls, which he designed from one of his sketches observing kayakers descending some falls at the foot of the Ben Nevis mountain in the British Isles. This particular piece (below) is available on The Working Proof, where 15% of the sales from his illustration goes to profit Transportation Alternatives.
Located in Cambridge, UK, Rich has worked as a freelance illustrator for a variety of sources including The Guardian, Future Snowboarders Magazine, and Sunday Times Magazine. View more of his absorbing artwork on his website, richgemmell.net.