Archive for the ‘typography’ Category
In my journey towards becoming somewhat of a graphic designer, I’ve gone through many bouts of chocolate-fueled rage, cursing when I can’t figure out how to line up my beziers correctly, or how exactly to create a seamless repeat pattern. Although there are loads of tutorials online, the Australia Graphic Supply Company is set to become the “square one” learning source for budding designers and typographers of all types (pun not intended).
Self-described “pixel-wranglers,” Dave and Laura Coleman are a husband-and-wife team working out of Sydney, Australia, focusing on a wide range of visual services from photography and branding to illustration and tattoo design. While Laura mostly manages operations & finances, Dave handles the creative side of their shared business–and both of them share a serious passion for design, photography and lettering.
They host a selection of their own client work on their website, but the primary focus is on their community and growing tutorial section. What’s neat to see is that their tutorial aesthetic matches up perfectly with that of their professional projects–the aim is clearly to give the viewer proper insight into the process of creating high-quality design and typography while simplifying the process down to layman’s terms.
One of my favorite tutorials was Creating a Hand-Lettered Logotype from Beginning to End–I’ve included some screenshots and a video below.
Dave and Laura were briefly living and working abroad in Oviedo, Spain, but are now in the process of returning to their home base in Sydney. To follow along with their adventures, check out their travel blog.
I’ve also included a couple links to my other favorite tutorials below:
I can’t wait for more exciting tutorials and developments from the AGSC. Thanks so much to Dave and Laura for sharing their knowledge with us! Follow along with them on theirwebsite, Twitter, and Pinterest.
In writing these Art Crush posts, I’ve found that I’m usually late to the party. Meaning, of course, that literally everyone else has known about these illustrators already before I stumbled across their work, since I’m probably an unhip grandma. But in this case, I’m kind of excited–Kelly Thorn is an up-and-coming junior designer at Louise Fili Ltd. and generally amazing typographer and illustrator, and she’s already blossoming on the scene.
I stumbled upon Kelly Thorn’s work by way of Friends of Type, a “typography sketchbook” of sorts started by Erik Marinovich and a few of his illo-designer buddies. Kelly’s command of linework and her gorgeous color choices immediately drew me in. Her pieces demonstrate a solid understanding of design and composition, but still leave room for illustrative experimentation and expression. Lovely.
A 2012 graduate of Tyler School of Art’s Graphic & Interactive Design program, Kelly now lives and works in Brooklyn, New York.
[collaboration with Dana Tanamachi for Nibblr]
Paul Thurby is a British designer and illustrator who takes inspiration from mid-century design and charity shop finds. He has worked with an impressive list of clients including The New Yorker, The Guardian, and Tate Enterprises. His clever, fun, and whimsical Alphabet and Number series can be found in many art and design shops around the UK. Paul Thurby’s Alphabet book has been published in the UK, US, and Australia. See more of his work on his website.
Post by Sarah
In my career I’ve been focusing on illustration for the last years, but coming from a much broader background in graphic & communication design I am fascinated with the whole book cover designing process and the challenges it comes with.
Creating visuals that somehow represent a whole story without going the most obvious route or being too bold and simple is a skill that results in beautiful work when it’s mastered. Jonathan Gray aka Gray 318 clearly is one of the masters in this field. His mainly typographical works are always smart, thought-through and often show a dry wit. If you are a fan of Jonathan Safran Foer you might already be very aware of Jon’s fantastic cover work.
You can see a video on youtube about the extraordinary cover design of Nineteen Eighty-Four (3rd cover shown above) here.
Posted by Jeanine
Illustrator and designer Jen Skelley is from New Jersey and currently lives in Western Massachusetts. She earned a BFA in design from Syracuse University and began her career working as an in-house artist creating wrapping paper, cards and many other kinds of social stationery. A few years later she branched out and opened her own studio, specializing in cute whimsical illustrations of animals, flowers and birds.
Her impressive list of clients includes Galison/Mudpuppy, American Girl, Mattel, Land of Nod, and Graphique de France. She recently illustrated a nationwide campaign for Sweet’N Low and also sells screenprints of her work in her successful Etsy shop.
Post by Jeanine Henderson
I fell in love with Lucie Rice’s work as soon as I saw it! A beautiful combination of both illustration and design, Lucie’s whimsical imagery is appealing to both children and adults alike. She has a special love for animals and an amazing sense of color and typography, all of which are apparent in her work. Her clients include Purina, the Grand Ole Opry, Penguin Group, and Simon & Schuster, and many more. She currently resides in Nashville, TN, with her husband and their beloved dog Lola.
Post by Tamsin
Oh wow! LOVE Carson Ellis illustration. I didn’t know of her work before I saw The Wildwood Chronicles (written by her husband Colin Meloy) last year. Gorgeous book! Her use of typography and pattern within her work is superb. Her illustration style has a folklore/fairytale feel about it – imaginiative, clever and delightfully inspiring. Carson Lives in Oregon with her family and also illustrates album art for her husbands band The Decemberists. See more of Carson’s work here and the Wildwood Chronicles has its very own page here.
Post by Jeanine Henderson
Steve Simpson’s lush and vibrant imagery is a delightful blend of illustration, design, color, and typography. Based in Ireland, he’s an award-winning illustrator of packaging and children’s books, and considers vintage illustration & packaging to be a huge influence on his work—particularly the work of Jim Flora, Mary Blair and Ed Emberly.
Love these simple prints by Faye Bradley.
This packaging for Flour Pot Bakery by Sara Nicely grabbed our attention… oh so subtly. Simple, beautiful typography! What’s not to love?
In Sara’s words: The Flour Pot Bakery Pot strives for a healthy diet with high quality, natural ingredients and environmentally friendly practices. This identity system was designed to convey the unique and handmade qualities of the bakery. The hand-drawn type was inspired by the wiry Christmas lights arranged throughout the dining area. I chose to design a menu that could be carried home without hassle. An alternate menu for lunch is available for guests who dine in.